The
church building, which was built in 1859 and whose exterior is registered
as a
New York City
, State and Federal
historical landmark, has been vacant since its congregation moved out in
1985.
Inside,
cobwebs cover the rafters and the floor beams are exposed beneath
floorboards cut open by contractors who removed the pews.
The
New York City Department of Housing Preservation and Development did
invest about $500,000 to transform the church’s grounds into a small
park called Jamaica Green, where there are occasional concerts and other
public events held, but other than that, the space has gone unused.
The
group that conducted the GJDC study looked around and noticed a need for
Downtown Jamaica’s thriving business and arts scene to have more space
to do all of its business and arts activities.
It
suggested, at the end of the study in 1991, that the best way to use the
church space would be to turn it into a performing arts and business
center.
In
1992, another study found that the new center should be run not by a new
management entity, but by existing local organizations.
Three
were chosen.
The
Jamaica Center for Arts and Learning (JCAL), a non-profit group on Jamaica
Avenue that hosts more arts and educational performances, exhibits and
workshops than any other organization in the area, will provide its
experience in event programming, said Executive Director Alexander Campos.
|

This
architectural rendering of the
Jamaica
Center
for
Performing Arts could be a reality by 2004.
Rendering Courtesy of
Jamaica
Center
for Arts and Learning
|
“We’ll
probably be focusing on a myriad of performances,”
Campos
said.
“Because it’s a flexible space, we’ll probably be using the
space for functions.”
The
Black Spectrum Theatre Company (BSTC), which is based in
Roy
Wilkins
Park
and has its own
300-seat theater there, as well as a truck-based mobile stage from which
it holds performances all over
Southeast Queens
, will be involved
in all the technical aspects of the facility, including sound, lighting
and video, said Founder and Executive Producer Carl Clay.
“It
would become an extension of our current home,” Clay said.
“For us, it will be a chance to take some of our best
performances and remount them in a professional theater atmosphere for a
seasoned theater audience.”
Cultural
Collaborative Jamaica (CCJ), a coalition of 14
Jamaica
cultural
organizations, will contribute its experience in multi-organization
management to the project by managing its rental program, said Executive
Director Tyra Emerson.
“CCJ,”
Emerson said. “is
the link between the arts and business.”
She added that while the emphasis for the center will be on
cultural programs, CCJ will also try to get the business community to use
the space for meetings, conferences and workshops.
While
each of the three organizations said separately that they are on equal
footing in terms of planning and managing the Arts and
Business
Center
, the nature of
CCJ’s role places it as a logistical pointman in the project.
Also,
unlike JCAL and Black Spectrum, which have their own headquarters, CCJ,
which currently uses a small one-room space in JCAL’s office, will
establish its headquarters at the new Center.
“We
will go from being able to be in an office with two people to a larger
space with up to eight,” said Emerson, who noted that it’s the move to
the new center that will allow CCJ to expand.
Emerson
also noted that being in the new center will allow CCJ to run internship
programs in which local students can learn theater and conference
management.
Because
of its triple-landmark status, the exterior of the First Reformed Church
will be unchanged, though a platform will be built in front of the front
staircase landing to allow for outdoor performances on the church’s
lawn, according to the organizers.
While
the interior of the church is not protected by landmark laws, Emerson
said, the new center will try to embrace the space’s history and nature.
“We
will still try to adhere to the original feel of the building,” Emerson
said. “We
kept some of the pews, and the balconies are still there.”
The
center will bring the centuries-old church well into the 21st century,
with modern stage lighting and sound, as well as a high-speed T1 Internet
line and videoconferencing capabilities provided by a grant from Verizon,
Emerson said.
The
first floor of the church will hold the stage and about 300 portable seats
that can be removed for banquets and meetings, according to architectural
plans for the center.
There
will also be a box office near the front of the church, as well as a new
welcome center that the organizers hope will provide information about
cultural and business resources not only in Downtown Jamaica and
Southeast Queens
, but the rest of
the borough as well.
“We
want all of the groups in the community to give us their information” to
distribute at the welcome center, Emerson said.
The
second floor of the church will hold about a quarter of the theater’s
seats, as well as a control room for the stage’s lighting, sound and
video effects, according to recent architectural plans.
The
third floor of the church will hold a 20-seat conference room and an
office.
The
low-ceilinged basement will be dug about two feet lower to allow for
rehearsal space and dressing rooms, as well as a pantry, an electronic
workshop and control rooms for the church’s new elevator system.
There
will be no special parking for the new center, the organizers said, as
there’s no room for it around the church and local subway lines run
underneath. They
noted, however, that they will be making arrangements with the local
municipal parking lots, as the nearby Jamaica Multiplex movie theater lot,
for guest parking during events at the center.
While
each of the three organizations will be using the space for eight weeks
per year each, Emerson said, the terms will most likely be held
concurrently, allowing the center to be more available for public rental,
which will be its sole source of revenue.
When
the Jamaica Arts and
Business
Center
project started,
the capital expense estimate for the project was $3.3 million, according
to Emerson. That
money was easily acquired, Emerson told the PRESS last year,
most of it from the office of then-Borough President Claire Shulman.
But the project quickly grew to $5.5 million, and later, to about
$11 million.
Emerson
and
Campos
said this week that
all of the capital budget has been collected, mostly from the Borough
President and various City agencies, but
Campos
noted that some of
that money could be cut under the mayor’s new plan to shrink the
city’s budget.
“All
capital projects throughout the city are being reviewed for cuts in
January,”
Campos
said, noting that
he hasn’t heard about cuts to the project.
Emerson
said that the three managers of the project are ready to move ahead.
“We
are in the final design process,” Emerson said.
“As soon as that’s approved, we’ll start bidding for the
project. We’re
expecting to start doing actual work in February.”
Emerson
and
Campos
said that work has
already started in the abatement stage of the project, in which the
building is gutted and prepared for renovation, and that it should be open
and ready for business by September 2004.